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Replicating the Seaton Tool Chest
by David
Nelson |
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Why build the Seaton chest?
This project began around 1997 when
I purchased the “Tool Box Book”. This lead to an email dialog
with Rees Tools, in Bath, England, about tool chests. They
recommended I read a book sponsored by TATHS entitled “The Tool
Chest of Benjamin Seaton”. Upon reading the book I discovered
that Benjamin Seaton, the builder of the chest and I have the
same birthday, February 7. One of Benjamin’s descendents married
into a Dahl family from Norway. My mother’s ancestors are Dahls
from Norway. This was enough of a coincidence to convince me
that I was destined to build a replica of the chest.
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David Nelson
Email:
David |
I notified Rees Tools of my intention to eventually build a copy
of the chest and shortly thereafter I received a package of
drawings of the chest from them. These were ¼ inch to the inch
copies of the drawings used in the book. Work demands and other
projects delayed making tool chest until November, 2006.
What is the Seaton Chest and What is so Important About It?

Cover reproduced by kind permission of the Tools
and Trades History Society |
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“No comparable kit of tools
exists elsewhere in Britain or America”.1 This chest contains an
essentially untouched original inventory of tools that would
have been used by an 18th century cabinetmaker. When looking at
the pictures of the contents of the chest it is obvious that for
the most part they are unused.
Around 1796 Benjamin’s father
bought him a relatively complete set of tools for a
cabinetmaker. Upon receipt of the tools Benjamin made an
inventory list of the tools and built a chest to house them. The
list went into the chest with the tools. Benjamin added
additional tools to the chest, some of them probably made by
him. Shortly after the chest was completed Benjamin joined his
father’s business and set the chest aside.
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The chest sat almost unused in the control of Benjamin’s
descendents until 1910 when it was donated to a museum by
Benjamin’s great grandson, Robert Cooper Seaton. The chest then
sat in the museum until about 1977 when it was catalogued. In
1991 the book about the chest and its contents was conceived and
executed.
Finding Material After
reading the book I decided to attempt to build something close
enough to the original that Benjamin Seaton would do a double
take if he saw my chest. I also want to fill the chest with as
many tools as possible to duplicate the original contents. When
doing research on replicas of the chest I found only one. First
glance showed a box with finger-jointed corners and the interior
of walnut and maple. This was not what I wanted when I was
finished.
I then began research on obtaining
material for the chest proper. I found sources for everything in
about a month and begin purchasing the material to make the
replica. For the interior of the carcase I got 1/16 inch
mahogany. This veneer is lighter in color than the other two
veneers I used but wood dye and garnet shellac will be used to
get a darker color. For the fixed and moving tills I got a
medium figure veneer and for the face of the saw till I got a
flame figure. The most difficult task was finding the tulipwood
cross banding with only a boxwood border. I found this at Dover
Inlays.
The interior will be finished with
garnet shellac. I will use wood dye on the light-colored
mahogany. The exterior will be finished with a base coat of
black milk paint. On top of this will be a coat of black and
forest green mixed half and half. Once the paint is dry it will
be rubbed with steel wool and linseed oil. A final coat of
graining liquid will give a look of age to the exterior.
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