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Dovetailed coffee/bench with finish by Mark Singer

I made a coffee table that rests on a leather bench.  You can still put your feet up.... even sit.  The wood is Padauk and quarter sawn Oak.

The details are simple, dovetails, rounded ends, flat top.


Shoulder Vise Fixture by Tom Conroy

A few months ago I was followed home by a piece of oak that had been on its way to the trash, roughly 1-1/8" x 4" x 48". It had a nice color and grain and it seemed a pity to let it go to waste, even though it was oily and grimy to the touch and I don't really like oak all that much.

But it was exactly the right size for something I have been wanting to make for several years and didn't want to do with wood that would serve for something else.


Lee Valley Knife Rivets on Perfect Handle Tools by James D. Thompson

I recently ordered 50 of each of 2 different sizes of knife handle rivets from Lee Valley. The total cost was close to $20 including shipping. Not a major expense.

When I went to use them I found that there was a small problem. The diameter of the body of both sizes is the same. But if you want to mix the 2 sizes, there is the problem of different size heads.


Machine-cut Through Dovetails by Bob Smalser

The lads I’m writing these for have been at it over a year now rehabilitating and using basic hand tools, and it’s time to develop mastery of the basic machines to increase efficiency.  I can’t think of a better place to begin than some basic through dovetails.

The dovetail is a utility joint for joining wood at right angles, one that will remain functional long after its glue has gone to dust, and remains the best joint out there for resisting tension stress like pulling on a heavy drawer.  It is often a better joint for carcass corners than the mortise and tenon, especially in thin, Victorian frame and panel construction found in many old yachts…


Loose Tenon vs. Traditional Tenon Joinery by Mark Singer

Sheer Luck... by John Clark

The Backsaw Blade: Tapered and Parallel by Philip W. Baker

Brown Rot, White Rot and other Wood Pestilence  by B. Smalser

Fine Tools, Cheap!!! by Scott Grandstaff

Veritas Small Plow Plane by Christopher Schwarz

Making a Hammer Handle  by J. D. Thompson

Better than New: Restored Eggbeater Drills by Chris Schwarz


Letter from Paul S.


Dearest Anthony and Galoots...

EVER body knows if you oil the neck on the Strat-O-Caster you can play much faster! You just have to be careful not to catch it on fire from excessive heat on that oil. Now, I have never had the problem personally, but I keep my favorite Martin earled-up real good just in case I should have an uncharacteristic burst of energy and inadvertently scorch the neck.

My late Uncle Dukes - he was a military and Golden Gloves Boxer - who kept his guitar neck supple with a dose of rendered Possum fat. It kept the old brass wound strings shiny when you wiped it off and it was his subjective view that he played better with the fat on the neck of his pre-WWll Gibson Archtop. I never could bring myself to slather up a Martin with Possum. If he didn't play for awhile it tended toward the rancid end of the smell scale. I wasn't convinced he was any improved anyway!

A number of years ago I bought a Martin NWD, a tribute guitar to the famous architect and woodworker, George Nakashima. Now this was not your average plunking guitar as useful for swatting skeeters as anything so I set to lookin' for a high class possum fat substitute.

Finally I settled upon the most expensive Japanese oil I could find that might fill the bill and made a down-payment on a gallon of Camellia Oil. It is right good stuff. It keeps the strings from tarnishing, soaks into the neck, but it ain't much for taste. Now I am a rip-roaring guitar player and I can really burn up those first 5 frets, so I figured there was no sense in greasing up all those frets I never use! I might need to pull 'em and put 'em higher up someday!

So, I am so slick at playing this guitar today that OIL is just a natural addition to making good, maybe not good, so much as really slick, music! So, my friend, be not surprised when you see that old buzzard out there slicking up his Strat! My money is on him, knowing something he just ain't decided to share with the brother/sisterhood yet!

Paul in Normal - in the Dark
June, 2008


More reading

Rehabilitating Old Chisels by Bob Smalser
An 18th Century Saw  by Philip Baker
Forescrub - Beware the Worm!! by Scott Grandstaff

Rehabbing Wooden Planes by Bob Smalser

Building a Chair - the real deal...  by Mark Singer

The Haunched and Drawbored Mortise and Tenon by B. Smalser

Oh!! If a Saw Could Talk by Philip W. Baker

Updates

Replicating the Seaton Tool Chest by David Nelson

New Downloads

1907 - Violins and other Stringed Instruments by Paul N. Hasluck

1813 - The Circle of the Mechanical Arts by Thomas Martin

Hand Saw Sharpening by Tom Law

1813 - The Circle of the Mechanical Arts by Thomas Martin


 

 

  07/01/2008
         
 
 

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